Apologue Podcast

Vancouver soul and blues heavyweight Mike Van Eyes returns with his second single, “Ain’t That Loving You, Baby”, landing January 14, 2026. Smooth, swinging and soaked in classic R&B, the track shows another side of his signature sound, less sprint, more slow-burning glide, with a groove that leans into feel, finesse and pure musical chemistry. It’s already timeless, the kind of song that feels pulled from a golden era but played with modern fire. Long considered one of the city’s most electric piano forces, Van Eyes has spent decades deep in the roots of rock ’n’ roll and R&B, building a legacy through his work with Vancouver institutions The Epics and The Trespassers, as well as touring with the Herald Nix Band, where he even shared stages with The Clash and sat in with Howlin’ Wolf’s band. Along the way, he’s lent his talents to artists like Colin James, The Yodells, GI Blues, Copyright, The Undertakin’ Daddies and Peewee Clayton, a résumé that reads like a history book of West Coast roots music. “Ain’t That Loving You, Baby” was recorded at the legendary Mushroom Studios (now Afterlife) with Juno Award-winning producer and engineer Erik P.H. Neilsen, capturing that unmistakable vintage warmth with a sharp, modern mix. The result is a track that swings effortlessly, anchored by Van Eyes’ expressive piano work while letting the rhythm section breathe and stretch naturally around it. Mike Van Eyes Online INSTAGRAM | BANDCAMP | FACEBOOK | WEBSITE Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Toronto’s melodic punk lifers Wasting Time are back with their new single “Ripped Blue Jeans”, out December 12 via People of Punk Rock Records. It’s a nostalgic rush of anthemic hooks and heart-on-sleeve energy that could’ve soundtracked any MTV’s 120 Minutes marathon. The track captures that feeling of late 90s freedom, cracked sidewalks, stickered guitars, the smell of sweat and stale beer in community-hall venues, and long summer nights when the world still felt small enough to dream your way out of it. Formed in 2017, Wasting Time has steadily built a catalog rooted in melody and sincerity: five EPs, three full-length albums, and a streak of singles that echo the honesty and grit of Alkaline Trio, No Use for a Name, MxPx, Blink-182, and Green Day. Their latest release, Hurry Up and Wait, cemented their reputation as one of Canada’s most reliable carriers of melodic punk tradition, and “Ripped Blue Jeans” only deepens that lineage. Mixed and mastered by Matt Gauthier at Arc Studios, the single offers the first taste of their upcoming full-length, Are You Out Of Your God Damn Mind?, due out in the new year. The song hums with the spirit of a simpler time, before algorithms and playlists, when discovery meant burning mix CDs or catching a new band between Tony Hawk Pro Skater soundtracks. You can almost see the baggy Dickies, chain wallets, and flannel shirts tied at the waist. It’s a nod to every kid who ever scribbled lyrics in the margins of a school binder or fell asleep to Dookie playing on repeat. Wasting Time capture that pulse without imitation; it’s not nostalgia for its own sake, but a reminder of why those songs mattered in the first place. Wasting Time Online INSTAGRAM | SPOTIFY | BANDCAMP | FACEBOOK | X | YOUTUBE | TIKTOK Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Alex Little steps forward with “Sounds Like A Deal,” the first single from her forthcoming EP Spider in the Sink. A Vancouver-born songwriter with roots in both punk clubs and family record collections, Little distills years of playing, listening, and living into a song that refuses to look away from exploitation and spectacle. The track arrives with all the grit, energy, and sharp-eyed honesty that have made her one of the most compelling voices to emerge from the city’s rock underground. Raised between False Creek and Commercial Drive, Little grew up absorbing a wide spectrum of sounds. Her mom played her The Replacements and Bowie, her dad brought The Beatles and Iggy Pop, and early shows included Roxy Music and Tom Jones before she turned ten. She first sat behind the kit in high school and in the punk band Vapid, before moving to the front of the stage with Alex Little and the Suspicious Minds. With Spider in the Sink, she now claims her name as a solo artist, writing songs that are unvarnished, melodic, and lived-in. ALEX LITTLE  ONLINE INSTAGRAM | TIK TOK | BANDCAMP | YOUTUBE Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Mason Lowe, drummer of Seattle’s feel-good classic rock outfit Bread & Butter, returns with his second solo release, ,Crashes Your Party out October 10, 2025, on Bubblebutt Records. The two-song 7” single explores the highs and lows of a self-destructive flameout, pairing swaggering fuzz and reckless charm with tender introspection. Together, the songs tell the story of a character who burns bright and fast, and the quieter aftermath that follows. “I’m drawn to people who are kinda outlaws,” Lowe explains. “They’re bold, they’re surprisingly smart. They can be troubled, they do things on their own terms. I’m the opposite. I worry about everything. I’m wondering what other people are thinking… I’m worrying right now!” Lowe continues, “I’m drawn to people with that wild energy – some of my best friends are wild! The story arc in this pair of songs is something I’ve seen up close… many times. I put it to music.” The dark, groovy A-side “I’m Not Sorry” comes barreling through your speakers like the Kool-Aid Man to “punch a hole in the scene in the shape of my body.” Fuzz bass and layered rhythms belie the narrator’s inflated ego, while unusual instrumentation like bass harmonica and xylophone create an unsettling, “bad fun” vibe. Its counterpart, the sweet and melancholy B-side “Crashin’ In,” reveals the tenderness behind the bravado. “I was so dang proud of that song,” Lowe says. “And I just wasn’t ready to let go of that character. So I looked at this lost person and rolled back the clock. What high were they coming down from? What was a night with this guy like before everything fell apart?” Following his acclaimed 2023 debut Morning People on Killroom Records, Lowe continues to expand on the sunny, harmony-rich world he built in his basement during the pandemic. Where Morning People was bright and sentimental, Crashes Your Party leans darker and more cinematic, yet still sparkles with Lowe’s signature mix of humor, hooks, and heart. The two sides connect lyrically and emotionally, with lines that mirror one another from song to song, verse to verse. As always, there’s a wink behind the melancholy, the kind that makes you hum along while wondering if you should maybe call your therapist. MASON LOW ONLINE INSTAGRAM | YOUTUBE | BANDCAMP | WEBSITE |TIKTOK | TWITTER Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Toronto, ON  – Canadian singer and guitarist C.ROSS (Chad Ross) has announced his new solo record Future Site of C.ROSS, out October 22nd, 2025 on Atlanta’s Echodelick Records. Ross has long been a fixture in Canada’s psych and indie-rock underground. Known as the singer/guitarist for heavy psych rockers Quest for Fire (Tee Pee Records), space rock explorers Comet Control (Tee Pee), and as a member of the legendary garage rock band The Deadly Snakes (In The Red), Ross has also toured internationally with Vancouver’s Pink Mountaintops and released acoustic-driven solo work as Nordic Nomadic (Blue Fog, Tee Pee). On Future Site of C.ROSS, Ross leans deeper into his unique blend of fuzzy psych-folk and cosmic rock, pairing raw songwriting with expansive production. The 7-song album was recorded, produced, and mixed by Joshua Wells (Destroyer, Lightning Dust, Black Mountain) at The Mango Pit in Chicago, with Wells also contributing drums and keys. Additional recording and production were handled by Ross in Muskoka, Ontario. Guest musicians include Aaron Goldstein (pedal steel) and Eiyn Sof (backing vocals). “I started working on the songs for this record right after Skull Creator was released in 2022,” says Ross. “The tail end of the pandemic was on the horizon and I was still in hermit mode with my acoustic guitar, living in the woods in Ontario with my family. This is the second record I’ve done with Josh Wells. I flew down to Chicago with a handful of acoustic songs and we managed to put everything together rather quickly at his studio. We worked at it over a year, sending ideas back and forth from Chicago to my studio in Ontario. What transpired was a really nice extension of the first record.” With echoes of Judee Sill, Duke Garwood, Syd Barrett, and Dead Meadow, Future Site of C.ROSS is both grounded and cosmic – balancing fuzzed-out riffs, pedal steel textures, and delicate acoustics. The lead single “Plant Your Eyes” is described by Ross as: “…about the things your eyes can’t see. The constant vibration of the unknown. It’s kind of this absurd idea that your eyes can be thought of as seeds, that grow colourful light. I tried to channel some deep Crazy Horse fuzzed-out riffage and some delicate acoustics – all the ingredients for a healthy garden.” D I S C O V E R Bandcamp: https://nxnx.bandcamp.com/ Instagram:https://www.instagram.com/cxrossx?igsh=MWdoM2Y5bm1oaGxk Youtube:https://www.youtube.com/channel/UCmmYibPZPqsM6tp6c5gVTpg Spotify:https://open.spotify.com/artist/2NSh2rOc62ImboBTgowQMg Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Oakland power pop band The Goods return with Don’t Spoil the Fun, their first full-length album, arriving October 24th, 2025 via Dandy Boy Records. Written and produced by frontman Rob Good (Ryli) in his Oakland studio, the record captures the band’s signature mix of jangling guitars, big melodic hooks, and heartfelt songwriting. Joined by bassist Cherron Arens and guitarist Gabriel Monnot, Good channels the classic shimmer of The Byrds and Big Star with the energy of Teenage Fanclub and Matthew Sweet – crafting songs that feel both familiar and fresh. The album’s focus track and accompanying video, “Sunday Morning Out of the Blue,” also arrives October 24. It’s about the push and pull of trying to make a relationship work  –  the kind of argument that leaves you both worn out and closer at the same time. Built around bright guitars and melodic basslines, the song captures that uneasy calm after a fight, when things finally start to make sense again. Across its eleven tracks, Don’t Spoil the Fun explores the search for love, connection, and meaning with warmth and empathy. “These songs were written over the last five years – some of them even pre-date our first EP,” says Good. “We recorded several versions before finally landing on something that felt right. This album is us leveling up our sound and finding our own style.” From the chiming immediacy of lead single “April Fools” to the wistful reflection of “Remember,” the album moves fluidly between exuberant and introspective moods. “Photograph” memorializes a lost Oakland venue, The Golden Bull, where The Goods played their first show, while “Aurora” celebrates staying rooted instead of chasing dreams elsewhere. “Me and My Ghost” turns a song written for a friend into a self-reflection on solitude, and “Keep It Safe” closes the album with a gentle reminder to protect one’s mental health amid chaos. With their blend of bright guitars, fuzz-drenched hooks, and honest storytelling, The Goods craft a record that balances classic influences with a distinctly modern heart. Don’t Spoil the Fun arrives October 24, 2025 on Dandy Boy Records. D I S C O V E R Bandcamp: https://dandyboyrecords.bandcamp.com/album/dont-spoil-the-fun Instagram: https://www.instagram.com/the_goods_music Youtube:https://www.youtube.com/channel/UCpoBK9seWqis1TndDBjI4vQ Spotify: https://open.spotify.com/artist/2MPqTq6PBP2ZEWnNQEhVqB Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Ugly Stick’s Absinthe returns in 2025 with a long overdue vinyl reissue, more than thirty years after its first appearance on CD in 1993. Formed in Delaware, Ohio in 1989, the four-piece carved out a sound that was equal parts Los Angeles punk and Midwestern heartland rock, drawing on the grit of X and the melodic punch of Tom Petty to create what critics would later hail as “genre-crossing” and “seminal.” Hovercraft Records has remastered the album and added bonus material from contemporaneous live shows and unreleased studio sessions, marking the record’s first-ever release on LP and digital platforms. Steeped in the small towns and shrinking industrial landscapes of Middle America, Ugly Stick were uniquely positioned to capture the tension of that moment in time. Their cow-punk attack carried both the edge of beer-soaked garage nihilism and the expressiveness of roots rock filtered through a landscape of carnival posters, endless farm fields, and collapsing barns. As Columbus Alive once wrote, Absinthe was “the bedrock of the Cowtown sound,” establishing Ugly Stick as central figures in a movement that defined the Columbus scene of the early ’90s. The record’s remastered release only underscores how prescient the band was. “Their mix of punk, college rock and alt-country was years ahead of its time,” noted Daggerzine. Exclaim! observed that “straddling the line between genres is never an easy task but with Ugly Stick’s talent and experience the results have rarely been so rewarding.” From the ragged twang to the jangly guitars, the band’s ability to transform punk and rockabilly into something original drew international praise, with Belgium’s Rootstime calling them “pioneers of a genre and a sound which was baptized as the Columbus sound.” Photo Credit: Amy Rathbone UGLY STICK  ONLINE INSTAGRAM | FACEBOOK | BANDCAMP | YOUTUBE Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Toronto’s pop-punk powerhouse The Mendozaz are set to unleash their most ambitious and hilarious work to date, the eight-song concept EP The Completely Fictional History of This Great Nation of Canada, out November 3 on Cartridge Heart. Fronted by guitarist-vocalist Jonny alongside Michael on vocals and bass and Dic on drums, The Mendozaz have carved their name into Toronto’s punk scene with relentless touring, wild live shows, and anthems built for gang shouts, beer spills, and grinning through the chaos. They’ve long been known for wrapping sharp hooks in self-aware humor, but on this record they go bigger, faster, and louder, with a clear mission to turn every basement, bar, and festival stage into a frenzy. The EP is bookended by a pair of songs so preposterously profane that reinforcements were needed. Members of Joan Smith and the Jane Does and The Meringues were brought in to provide extra fuel for the f-bombs. All songs were written by The Mendozaz and recorded between This Place Needs A Name and Arc Recording Studio by Matt Gauthier (Handheld, Wasting Time), who also handled mixing and mastering. The result captures the reckless charm of their live show while pushing their storytelling and arrangements into sharper, stranger, and funnier territory. The accompanying video-single “A Piercing Shriek of Death” sets the tone perfectly. “This was the first song written for this record,” says Jonny. “It’s based on a very-true Canadian legend that we made up about an expedition of ice fishers being eaten alive by a school of great white sharks near Hudson Bay. I had an old recording of an instrumental jam we did six or seven years ago that I really liked. I channeled my inner Serj and came up with something unlike anything we’ve ever done. When recording the demo our engineer almost fell out of his chair laughing during the blood curdling scream. He’s okay (I think). I needed to be authentic while channeling the plight of the victims of this totally-legit horrible tragedy. Thoughts and prayers.” It’s a mix of heavy riffs, absurd humor, and unflinching commitment that defines the EP as a whole.THE MENDOZAZ ONLINE INSTAGRAM | SPOTIFY | BANDCAMP | FACEBOOK | WEBSITE Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home--21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Today the Band Pretty joins me on the show. Pretty is “psychedelic without all the flower-sniffing.” They combine fuzz, clang, synthesizers, heavy grooves and lots of glitter to create a sound that is equal parts danceable, whimsical and brutal. Fresh off a tour of the United Kingdom, Pretty is making their return to Canada your problem as well as theirs. In Toronto, Pretty has opened for the Brian Jonestown Massacre, the Budos Band, Ghost Funk Orchestra and Improvement Movement, among others. Photo credit: Max Chu Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Welcome to Episode 400!! Dave Hill is a comedian, writer, musician, actor, radio host, and man-about-town originally from Cleveland, Ohio but now living in New York City in a totally sweet apartment with a party deck and everything. Hot chicks come over to hang out and eat cheese plates and stuff with him all the time and it’s awesome. Anyway, on the show business front, Dave has appeared on Netflix’s The Unbreakable Kimmy Schmidt, Adult Swim’s Joe Pera Talks with You Amazon’s The Tick, Peacock TV’s Girls5Eva, Comedy Central’s @midnight and Inside Amy Schumer programs, TBS’ Full Frontal with Samantha Bee, TV Land’s The Jim Gaffigan Show, and TruTV’s Comedy Knockout among a bunch of others. He is a frequent on-air host for HBO and Cinemax and has been on channels like MTV, VH1, BBC-America, and the Sundance Channel a whole bunch too. Dave also starred in his own television program The King of Miami on the Mojo Network, which was cancelled even though Dave really liked it. The show also aired in the United Kingdom on Sky TV’s Film24 Channel. And you can still watch The King of Miami on Hulu too, which Dave is super pumped about. Oh, and Dave was a correspondent on Hoppus on Music starring Blink 182’s Mark Hoppus on the Fuse channel, which ruled. Dave has been on other shows and in obscure movies too but let’s keep moving for now. Dave performs live comedy over the world and has appeared at such festivals as the Melbourne International Comedy Festival, SXSW, San Francisco Sketchfest, the Edinburgh Fringe Festival, the U.S. Comedy Arts Festival in Aspen, Sasquatch Festival, Bumbershoot, Bonnaroo, the Bridgetown Comedy Festival in Portland, the Crap Comedy Festival in Oslo, Outside Lands in San Francisco, and then some other ones too. He has also performed comedy at Sing Sing Correctional Facility twice and even ripped some guitar solos inside a Mexican prison a couple times too. In 2007, Variety magazine named Dave one of their “10 Comedians to Watch,” something he still won’t shut up about. Some things are hard to let go of. Dave hosted his own radio show The Goddamn Dave Hill Show on WFMU in Jersey City, New Jersey every Monday night from 9pm to midnight for years and now hosts the podcast Dave Hill’s Podcasting Incident, which is also broadcast on the UK’s Fubar Radio, So…You’re Canadian with Dave Hill, and History Fluffer, on which he is joined by Jim Biederman, Jodi Lennon, and Chris Gersbeck. Dave is also a frequent contributor to public radio’s Live from Here with Chris Thile and  This American Life. He has also appeared on podcasts like WTF with Marc Maron, The Adam Carolla Show, The Nerdist, and then roughly 78 other ones besides those. Dave is the author of four books, including his brand new book The Awesome Game: One Man’s Incredible, Globe-Crushing Hockey Odyssey, in addition to Parking the Moose (Doubleday Canada/Penguin Random House 2019), Tasteful Nudes (St. Martins Press, 2012) and Dave Hill Doesn’t Live Here Anymore (Blue Rider Press 2016). He has also written for the New York Times, GQ, Salon, The Paris Review, McSweeney’s, New York Observer, The Cleveland Plain Dealer, VICE, Guitar World, and a bunch of other places too. Comedy legend Dick Cavett called Dave “a major figure among American comic writers, past and present,” which is pretty much the coolest thing that has ever happened as far as Dave is concerned. Dave is also a musician who currently sings and plays guitar in the power pop band Valley Lodge, whose song “Go” is the theme song to HBO’s Last Week Tonight with John Oliver, and the psych/garage rock band Painted Doll. He was also a member of Cleveland rock bands Sons of Elvis and Cobra Verde as well as Diamondsnake, a heavy metal band with Moby. Additionally, Dave has played guitar for Walter Schreifels and muscle metal band Thor and bass for Lucy Wainwright Roche and former Faith No More singer Chuck Mosley. He also contributed musical scores to films such as Dirty Deeds, Shoot First and Pray You Live, and then some other ones besides those two. Additionally, Dave’s mostly imaginary Norwegian Black Metal Band Witch Taint is currently bringing its own disturbing brand of comedy and music to audiences all over the world after having existed merely as an absurb email chain for over a decade. They’ve also sold a lot of T-shirts. Dave has made out with a lot of chicks, is sweet at guitar, and smells really great. You can ask anyone. Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Seattle four-piece APPALOOSA return September 4 with “Get It Together, Kid,” a bouncy, bittersweet blast of femme-led power pop. Rooted in punk grit and dressed in glam shimmer, the track showcases the band’s knack for tight arrangements, melodic punch, and emotional clarity. Their past releases have drawn praise from underground staples like Maximum Rocknroll and Razorcake, and “Get It Together, Kid” captures the same raw charm with a sharper melodic edge. APPALOOSA began when singer and guitarist Erica Rose moved back to Seattle after six years in NYC’s punk and indie scenes. Just as she was preparing to start a family, she also began writing the songs that would become APPALOOSA. “I was pregnant with twins and couldn’t stop writing,” she says. “I knew exactly what I wanted this to be: melodic, loud, emotional, and real.” With Leif Anders on lead guitar, Kevin Voss on bass, and Ian Sides on drums, the group quickly locked in, combining raw energy with power pop precision and a garage-born sense of urgency. “Get It Together, Kid” started out as something completely different. “It was five minutes long at first, more of a ballad,” says Rose. “But once we started playing it together, it wanted to be fast. It wanted to move.” The final version clocks in under three minutes. It is catchy, kinetic, and lyrically rich, exploring the strange contradictions of growing up and trying to hold it all together. “It’s about the ambiguity of being ‘mature,’” Rose says. “Whatever that means.” APPALOOSA ONLINE INSTAGRAM | SPOTIFY | BANDCAMP Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Friendly Rich is a composer from Brampton, Canada.  Mr. Rich has composed background music for 3 seasons of MTV’s The Tom Green Show.   Since 1994, he has recorded exclusively for his own eclectic record label, The Pumpkin Pie Corporation, and in Europe more recently by Hazelwood Records. Rich just completed his PhD in Music Education from the University of Toronto under the supervision of Dr. Lee Bartel.  His doctoral research was on musical playgrounds as a vehicle for community development. Friendly Rich’s music has brought his toured to New York, Montreal, Vienna, Berlin, Frankfurt, Leipzig, and Prague.  In early 2008, Friendly’s music was released in Europe by Hazelwood Records, and the Lollipop People successfully toured there every year since then, playing such festivals as the Fusion Festival in Germany and the Balkan Fever Festival and Danube Festival in Vienna.  He has also presented The Lollipop People at several Canadian festivals including Guelph Jazz Festival, Festival International de Musique Actuelle de Victoriaville, Halifax Jazz Festival, Newfoundland Music on the Rocks and at the Western Front in Vancouver.  Over the years, The Lollipop People have performed alongside such artists as Of Montreal, The Tiger Lillies, Trevor Dunn, and Amanda Palmer.       Friendly Rich’s is set to release a new studio recording, Man Out of Time on the label, We Are Busy Bodies in 2023 followed by a European and Canadian tour. Things are busy with Friendly Rich and The Pumpkin Pie Corporation, but as Friendly says, “one can either produce, or become produce”.   Photo Credit – Jim Tobin D I S C O V E R Website: http://www.friendlyrich.com Bandcamp: https://friendlyrich.bandcamp.com Instagram: https://www.instagram.com/friendlyrich Facebook: https://www.facebook.com/friendlyrich Twitter: https://twitter.com/Friendly_Rich YouTube: https://www.youtube.com/friendlyrich Spotify: https://open.spotify.com/artist/1SWneDpUI2N0Bz46xl1cg5?si=zo59VzLcR9mAZr6F_m9ksg Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Johnny Nails “Savor The Blood” will be fully available to you August 20th, 2025. It was a long time in the making and it’s been done for some time so I’m happy to see it coming out to the world. It was built and recorded during the middle of the pandemic. The songs, sounds, and vibes were influenced by anxiety and insanity but I hope the love pours through to you.  I am an artist that thrives on studio energy. Did it feel good? Keep it. Was it perfect? Who cares?! But when you have a crew like I do first takes are THE TAKES sometimes. “Taking Tea with Crowley” (Side A) was TAKE #1!!! Much to some of our chagrin at first, but I think we are happy with it in the end. I knew it at the last note though it was the one and I can’t imagine it any different now. The album is full of these energies. The subject matter is all over the place. Light and dark. Fuck you. I love you. Goodbye. Hello. You’re a psychopath and it takes one to know one.  Thank you to the amazing Andy King on Drums, Aldo Galatioto on guitars, Mike Sparks on Bass, Billy Stover on keys, Matt Bayles on engineering and mixing, and mastering by Ed Brooks. We all had our part in making this record what it is and I am super proud of the noises we ended up now sharing with the world. Truly one of my happiest times in the studio with this group of people.  Thank you to my dear homie Radjaw for the radical album art, and Monique Robert for making us comfortable in front of the camera.  Thank you to my current band: Mike Sparks, Billy Stover, Gregg Anderson, Jeff Grant for making the songs come ALIVE.  The vinyl is now shipping so please purchase one on the Johnny Nails bandcamp link in the bio to show your support for indie labels and artists!  D I S C O V E R INSTAGRAM | SPOTIFY | BANDCAMP | WEBSITE | FACEBOOK Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Lillian King’s debut album In Your Long Shadow arrives October 24th via Pronounced Kroog, with its first advance single “Tiber Creek” landing August 26th. Written shortly after the passing of her father, “Tiber Creek” offers a haunting glimpse into the album’s emotional landscape, transforming a simple walk across Washington, D.C. into something expansive and meditative. Her father’s ritual walks to the hospital along the National Mall, past memorials, monuments, and the invisible flow of Tiber Creek buried beneath the city, anchor the song’s vivid imagery. Lillian’s voice, warm and mournful, carries a quiet intensity through every line, reflecting on place, memory, and the way certain moments linger long after everything else changes. “Tiber Creek” also marks the beginning of Lillian’s collaboration with Spencer Krug, whose indie rock resume needs little introduction—Wolf Parade, Sunset Rubdown, Moonface. Krug, who rarely steps outside his own projects, connected deeply with Lillian’s stripped-back performances while on tour together in 2024. Signing her to his label, Pronounced Kroog, was instinctive. That rare co-sign lends weight here, but Lillian’s voice carries the story, elevated by her bandmates Robert Salazar (drums) and Nick DePrey (keys), with producer Jack Henry shaping the soundscape. The track leans into mood more than spectacle: dusty drums, upright bass, and creaky piano lines swirl around Lillian’s singular vocal tone. The arrangement leaves room for quiet moments to land, capturing the bittersweet ache of mid-winter reflection. This is indie-folk at its most elemental, echoing the timelessness of Bill Callahan or Sharon Van Etten, but with a wind-whipped edge that’s entirely Lillian’s. Photo Credit: Kirsten Southwell LILLIAN KING ONLINE INSTAGRAM | SPOTIFY | BANDCAMP Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Kelowna, BC  –  The Cavernous, a heavy psychedelic electronic duo from Kelowna, BC, are releasing their most unconventional project yet: Please Hold, a full-length concept album only accessible by calling a toll-free number. The album dropped July 28, 2025. Dial 1-877-420-9159 and you won’t find a streaming link – you’ll be placed in a surreal hold sequence filled with lo-fi beats, ambient textures, dissonant soundscapes, and cryptic automated messages. It’s an experience equal parts soothing, uncanny, and existential. While Please Hold is only available in full via phone, the lead single “Guile” will be released on major streaming platforms with an official video, offering a glimpse into the project’s eerie, immersive world. Built around a shifting tapestry of paranoia and tension, “Guile”showcases The Cavernous’ ability to blur the line between unsettling and sublime. Known for their wall-of-synths setup and experimental ethos, The Cavernous (Rob McLaren and Jesse Barrette) draw sonic inspiration from HEALTH, Nine Inch Nails, and Mogwai’s electronic works. Please Hold pushes that further, weaving together washed-out electronica, eerie downtempo, and progressive synth odysseys into a nonlinear meditation on death, vulnerability, and the fractured calm of modern life. Created over the winter of 2022–23, Please Hold was born out of asynchronous collaboration. McLaren leaned into the slow, liminal quality of looping improvisations, inspired by ambient comfort and the strange stillness of lo-fi music. Barrette added unpredictable rhythmic complexity, like the rare 15/8 time signature on “Quinze,” and sonic oddities – glass bottle percussion, banjo-synth hybrids, and distorted field recordings. Tracks like “Vitric” unfolds like a synthesizer-led funeral march, written the same week McLaren’s cousin and closest childhood friend was found after going missing. The album’s narrative turns hauntingly personal as it progresses. In “Lo-finite,” an automated operator breaks the fourth wall, reminding listeners that they, too, are on borrowed time. Please Hold lulls the listener into a false sense of security before pulling the rug out, one dial tone at a time. “It started as a joke about hold music,” says McLaren. “Then it became a meditation on death.” Please Hold isn’t just an album – it’s a call you won’t forget. To experience the album, dial: 📞 1-877-420-9159 D I S C O V E R Youtube: https://youtube.com/@thecavernous6344?si=jfAPcVd7axGwMoFY TikTok: https://www.tiktok.com/@the_cavernous?_t=ZM-8sY59HmBumz&_r=1 Instagram: https://www.instagram.com/thecavernous?igsh=MXRkdGw3dDVhZTZvbA== Spotify: https://open.spotify.com/artist/2kRWGmNlKFQ5ZRP1o1uHEa?si=oqTiyxNPQmKYuo7FCzI5mg Facebook: https://www.facebook.com/profile.php?id=100063588158575&mibextid=ZbWKwL Bandcamp:https://thecavernous.bandcamp.com/ Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

With over 50,000 streams and a reputation for vivid, emotionally honest songwriting, Toronto-based folk artist Stan Simon returns with Narrow Bridge, a new EP set for release on July 9, 2025, through Slammin’ Media, distributed worldwide by Believe. Rooted in contemporary folk traditions and laced with elements of country and Americana, the EP weaves together themes of climate urgency, personal loss, and quiet resilience. Its title track (out June 4) leads the project with a tone that’s both defiant and hopeful, offering a powerful invitation to “cross that narrow bridge” toward awareness, accountability, and renewal. “It’s a passionate environmental and social call to action,” Simon says. “I wanted to write something that captures both the anger and the hope I feel about what’s happening in the world. About how we treat nature, each other, and ourselves.” Written and recorded with longtime producer Dennis Patterson at Big Smoke Audio, Narrow Bridge takes a layered approach to reckoning. The vivid natural imagery in its title track (bleeding oceans, burning forests, mass extinction) is underscored by Simon’s frustration with “greenwashing” and political indifference. And yet, beneath the urgency lies a steady, unshaken belief in collective transformation. “We’re not beyond saving,” he adds. “The song is a reminder that renewal is possible, but only if we step into discomfort and choose to act.” That spirit of resolve and reflection runs through the entire EP, which Simon describes as “an invitation to disconnect from the noise and reconnect with the natural world, and with the deeper truths we all carry.” Alongside its global outlook, Narrow Bridge offers unflinching personal moments, including the grief-stricken ballad “Long Way Past Gone,” written shortly before the passing of Simon’s father. “This song took on new meaning after he died,” Simon explains. “It’s about feeling far beyond the point of return. There’s numbness, resignation, and the sense of being broken in ways that can’t be fixed.” Using imagery like a cardinal’s song (often seen as a spiritual sign) Simon threads together mourning and metaphysical longing, evoking the empty quiet of spiritual collapse with poetic, weary precision. “I wanted to paint a picture of someone who is emotionally disconnected from life,” he says, “but also still reaching for meaning through the fog.” D I S C O V E R Website:https://www.stansimonmusic.com/ Twitter:https://twitter.com/stansimonmusic Instagram:http://instagram.com/stansimon Facebook:https://www.facebook.com/stansimonmusic/ Youtube:https://www.youtube.com/channel/UCDkystQkNOVQxtl51oWTYgQ Spotify: https://open.spotify.com/artist/5FNVNpBAW998paHMVx3xLV Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Born from a sense of discouragement that policies related to incarceration are slow to change and a recognition that a significant portion of the general public is unaware of the larger societal impacts that occur when someone is incarcerated – the harms to family and social circles, to children and to future generations. What’s it like to find out that someone you love has committed a crime, has hurt someone?  Not top of mind thinking for most people, unless you are a prison family member.  If you are, those thoughts intrude on pretty much every waking moment.  People that we love have harmed someone else.  That hurts.  They have also harmed us, emotionally, financially, sometimes physically.   This series explores the impacts of incarceration on secondary victims – family members – who are innocent of any crime but are often victimized by the system that exists to punish the crime they didn’t commit. This podcast discusses the initial shock experienced by families when a loved one is incarcerated, in the true voices of family members.  It explores topics such as fear, shock, bias, loss, hope, hopelessness, security and lack of it.  Issues are explored more broadly with a number of subject matter experts. MOMS Ottawa has been advocating for a more humane prison system for over a decade, in addition to support for female family members of incarcerated loved ones.  Pros and Cons Program helps create music in prisons to support healing, restorative justice, victim support, and education.   Check them out at:   www.momsottawa.com  prosandconsprogram.com Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Carmen Toth is a Toronto-based singer-songwriter known for her hook-driven power pop, heartfelt storytelling, and retro-influenced sound. Drawing inspiration from artists like Stevie Nicks, Kate Bush, Cyndi Lauper, and Sheryl Crow, her music blends vulnerability with classic pop-rock grit. Over the past two decades, Toth has evolved from solo acoustic sets and her early duo Social Potion into a fully realized indie artist, performing in both band and solo formats and building a loyal following through regular livestreaming. Her 2018 EP Safety Net, produced by Derek Downham, marked a shift toward a modern pop sensibility. In 2020, Toth began work on her most ambitious project to date – Fix the World, an 11-song album co-produced with Joel Wasson and John Critchley (13 Engines). Featuring performances from members of The Discarded, Lowest of the Low, and Ace of Wands, the album captures Carmen’s growth as a guitarist and vocalist and cements her identity as a powerful voice in Canada’s indie rock and pop landscape. D I S C O V E R Facebook:https://www.facebook.com/CarmenToth111/ Instagram: https://www.instagram.com/carmentoth111/ TikTok: https://www.tiktok.com/@carmentoth111 X: https://x.com/carmentoth111 Youtube:https://www.youtube.com/carmentoth Website: http://carmentoth.com Bandcamp: https://carmentoth.bandcamp.com Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Gomer is a Toronto-based power punk band born during the 2020 pandemic. What started as a demo-swapping project grew into a full-force collaboration, with the lineup solidifying in 2024: Michael Hawco (bass), Chad Kerswill (vocals), Oscar Laguan (guitar), Jessica Fleming (guitar), and Andrew McMullen (drums). Their debut release, The Age of Gomer (2022), laid the foundation for their storytelling. But the band has since pushed their sound, energy, and songwriting further than ever. At the heart of Gomer is a character who embodies struggle, persistence, and the demand to be heard in a world not built for them. That hero is flawed but relatable, someone who continues to fight no matter the odds. Gomer’s next chapter begins with their EP The Rise of Gomer in September 2025, followed by their first full-length album Gomer Lives in early 2026. Both releases mark the band’s evolution into a sharper, louder, and more fearless force. D I S C O V E R: FACEBOOK Instagram Bandcamp Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Seattle’s Acapulco Lips return with Now, a full-length burst of fuzz, flair, and sun-scorched swagger, out July 14 digitally and July 18 on vinyl via Killroom Records. Their signature cocktail of psych, surf, and garage rock gets a sparkling refresh on this latest release, with thicker grooves, sharper hooks, and even more attitude. For over a decade, the band has been a staple of the Pacific Northwest underground, blending ’60s girl group charm with blown-out guitar licks and reverb-drenched abandon. Now doesn’t mellow with age. It snarls with intent, while reaching into deeper emotional terrain than ever before. From the woozy swirl of “Fuzzy Sunshine” to the frantic pulse of “The Flim-Flam,” the album crackles with restless energy and reckless cool. Maria-Elena Herrell’s vocals remain the radiant centerpiece, equal parts haunting and honeyed, while her basslines hold down the chaos with a melodic strut. Guitarist Christopher Garland lets loose in all directions, adding a tanpura drone here, a wild tremolo run there. Jordan T Adams joins on drums and percussion, bringing punch and personality, while Stefan Rubicz’s keys offer occasional glimmers of retro shimmer. But beneath all the shimmer and fuzz lies a quiet meditation on time — how we lose it, spend it, waste it, and sometimes try to outrun it. “I’d say pretty much every single song on Now goes back to the theme of time,” says Herrell. “There’s an urgency that comes with understanding you can’t get it back, and you don’t know how much you’ll get.” That urgency pulses through tracks like “Everyday,” a frustrated observation of history repeating itself, and “Slowly Disappearing,” a slow-burning elegy for fading places and people. Written in part after seeing photos of the now-abandoned hospital where she was born, the song captures a feeling of slow erosion — of personal and collective memory — with a gentleness that suggests deeper loss. “It can feel like you are disappearing along with them,” she says. D I S C O V E R Instagram:https://www.instagram.com/acapulco_lips/ Facebook:https://www.facebook.com/p/Acapulco-Lips-100063725072877/ Spotify: https://open.spotify.com/artist/0k2Ypw0hHVRbZ0VVDCF84Y Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_f Also my Weekly Tour Vlog is up an live on the YouTubes https://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologue Shop Apologue products at http://apologue.ca/shop Check out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ep https://distrokid.com/hyperfollow/foursquare/seven-oh-seven https://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remastered https://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends