Fugitive Waves

Producer Zoe Kurland's father, costume designer Jeffrey Kurland,  talks about designing the iconic push up bra for actress Julia Roberts for the film Erin Brockovich. Zoe follows the story interviewing the real Erin Brockovich and examining her own relationship body image, confidence and identity.  This story was written and produced by Zoe Kurland for Signal Hill, and edited by Liza Yeager and Jackson Roach. Sound design and additional production by Liza Yeager. Additional editorial support from Omar Etman, Annie Rosenthal, and the Issue Two cohort. Signal Hill is an independent, listener-funded, nonprofit publication.  signalhill.fm  Zoe is a writer and audio documentarian based in Texas.  She has produced three award-winning podcasts, most recently reporting, producing and hosting A Whole Other Country (named one of the 20 best podcasts of 2025 by The Atlantic and featured in the 2026 Tribeca Film Festival).  She started her career in audio working for The Kitchen Sisters, and later joined LAist as a producer. Her work has appeared in outlets such as New York Magazine, Signal Hill, Articles of Interest, and on APM’s Marketplace. She holds a national Edward R. Murrow Award for innovation in audio, twelve regional Edward R. Murrow Awards, and three Signal Awards. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We're part of Radiotopia from PRX, a curated network of independent producers. Find out more at kitchensisters.org, radiotopia.fm, signalhill.fm 

To mark the 25th anniversary of 9/11, we present the Peabody Award winning Sonic Memorial Project with a post script recorded on the 10th Anniversary by our narrator, Paul Auster.  The Sonic Memorial Project began in October 2001 as part of the Lost & Found Sound series. We opened a phone line on NPR for listeners to call in with their stories and audio artifacts relating to the September 11 attacks and the history of the World Trade Center. Hundreds of people called with testimonies and remembrances, music and shards of sound, joining a national collaboration chronicling the life and history of the World Trade Center and its surrounding neighborhood.  Combining interviews, voicemail messages, audio contributions from listeners, oral histories, home videos and recorded sounds of all kinds, the Sonic Memorial Project team created a series of stories for broadcast on NPR’s All Things Considered, and this hour long special narrated by aurthor, Paul Auster. The Sonic Memorial Project was produced by The Kitchen Sisters and Jay Allison,  in collaboration with NPR, independent radio producers, artists, writers, archivists, historians and public radio listeners throughout the country.

Tom Luddy was a quiet titan of cinema. He presided over the Pacific Film Archive in Berkeley for some 10 years, co-founded and directed the Telluride Film Festival for nearly 50 years, produced some 14 movies, match-made dozens of international love affairs, and foraged for the most beautiful, political, important, risky films and made sure there was a place for them to be seen in the world. And he made sure that the people making this powerful work were known and knew each other.  Tom Luddy with his photographic memory, his infinite rolodex, his encyclopedic knowledge of global cinema and his catalytic ability to connect people, caused the most unusual of collaborations to come to be.  Tom championed the French New Wave, the Czech New Wave, Brazilian cinema novo, dissident Soviet cinema, directors Francis Coppola, Jean-Luc Godard, Werner Herzog, Agnes Varda, Les Blank, Paul Schrader, Agnieszka Holland, Barry Jenkins, Laurie Anderson and countless others. Tom passed away on February 13, 2023. There’s a giant hole in the screen without him here. But his DNA is in the hundreds of filmmakers, musicians, writers and activists he nurtured and inspired. As film enthusiasts gather this weekend at the Telluride Film Festival, The Kitchen Sisters Present... The Tom Luddy Connection: The Man, The Movies, The Rolodex.  Produced by Evan Jacoby and The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell and Nathan Dalton. Mixed by Jim McKee.

The Hip Hop Archive at Harvard, the Pack Horse Librarians of Eastern Kentucky, the Lenny Bruce Archive, the Internet Archive and more surprising stories of preservation and civic life.  With host, Academy Award-winning actress, Frances McDormand.  The Kitchen Sisters Present Archiving the Underground, hour one of our two-part Keepers special. Stories of activist archivists, rogue librarians, curators, collectors and historians. Guardians of history, large and small. Protectors of the free flow of information and ideas. Keepers of the culture and the culture and collections they keep. Interviews featured include: Dr. Marcyliena Morgan, founder of the Hip Hop Archive. 9th Wonder (aka Patrick Douthit), acclaimed hip-hop producer, DJ, and Nasir Jones Hip Hop Fellow who discusses setting the standards for the hip-hop canon. Henry Louis Gates Jr., the renowned Harvard professor and literary critic. Brewster Kahle, founder of the Internet Archive. Kitty Bruce, daughter of comedian Lenny Bruce, who details the creation and preservation of the Lenny Bruce Archive. And many more. Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee.

Narrated by Andy Garcia. At the turn of the century until the 1930s in the cigar factories of Tampa and Ybor City, a well dressed man in a panama hat with a loud and beautiful voice sat atop a platform and read to the cigar workers as they rolled. These readers, known as Lectores de Tabaqueres, read Cervantes, Zola, Victor Hugo, Karl Marx, Jules Verne…. It was the voices and words of these lectores, before radio and mechanization, who informed, organized, and incited the cigar workers, who labored by hand until the 1930s, when both the rollers and readers were replaced by mechanization. A lost tradition of story and smoke. From the Lost & Found Sound series on NPR. Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Jay Allison. The Kitchen Sisters Present is part of Radiotopia from PRX.

As part of our Quilts as Monuments series we revisit the story of Gert McMullin and the AIDS Memorial Quilt, the gay rights movement in San Francisco, Harvey Milk, The White Night Riots and more. In 1985, Gert McMullin was one of the first San Franciscans to put a stitch on the AIDS Quilt, the quilt that began with one memorial square in honor of a man who had died of AIDS, and that now holds some 110,000 names. The quilt is made up of some 50,000 panels, each 3x6 feet, the size of a grave. It weighs 60 tons. End to end, it would stretch out more than 50 miles. Gert never planned it this way, but over the decades she has become the keeper of the quilt and has stewarded it, repaired it, tended it, traveled with it and conserved it for some 33 years now. In 2020, when COVID-19 hit, Gert was one of the first Bay Area citizens to begin sewing masks—PPE for nurses and health care workers who were lacking proper protection—masks she made from fabric left over from the AIDS Quilt. The comfort, outrage and honoring of an earlier pandemic being used to protect people from a new one. In January of 2020, the AIDS Memorial Quilt, now part of the National AIDS Memorial, returned home to the Bay Area after 16 years in Atlanta. It took six 52-foot semis to get it there. The extensive AIDS archive, which Gert gathered, collected and protected since its earliest days, is now part of the American Folklife Center at the Library of Congress in Washington, DC. This episode features interviews with LGBT rights activist Cleve Jones who worked with Harvey Milk and conceived of the AIDS Memorial Quilt, and John Cunningham, executive director of the National AIDS Memorial. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Mixed by Jim McKee. The Kitchen Sisters Present is part of Radiotopia from PRX.

Olivia Wilde. Actor. Director. Producer. Olivia comes from a long line of journalists, a British father and an American mother, who have made groundbreaking investigative documentaries. The late writer Christopher Hitchens, a friend of the family, was her babysitter. She grew up in a world of words, a world of stories, a world of speaking truth to power. She chose her stage name in honor of Oscar Wilde, a writer she admires. Olivia starred in dozens of TV shows and movies before directing her first feature in 2019, the raunchy, high-stakes, hilarious, high school comedy, Booksmart.    Her latest movie, The Invite, is a tight ensemble film, which she both directs and acts in alongside Penelope Cruz, Edward Norton and Seth Rogen. The Invite was a smash hit at the Sundance Film Festival in January — the last one in Park City, Utah — and set off one of those legendary bidding wars you hear about like Sex, Lies, and Videotape did back in the day.    In April The Invite opened the San Francisco Film Festival at the newly renovated historic Castro Theatre and Olivia came to see us in the studios of KQED just before the screening to talk about the movie and her path as a filmmaker.

Perhaps it was the AIDS Quilt that redefined what a monument could look like and who could create it. Or maybe it was the quilters of Gee's Bend or the Freedom Quilting Circle in Alabama, taking the scraps of their lives — old military camo uniforms, overalls, flour sacks — honoring the living and the dead. Quilts as monuments, memorials, large and small, stretch far back into our American story. Monuments are a contentious issue these days in the South and beyond. But right now, in Alabama, the Sew Their Names Project — some 20 quilters, a reverend, and a judge — are bringing unlikely collaborations together to embroider the names of hundreds of forgotten people who were once enslaved. Creating quilts that record and tell. Today The Kitchen Sisters, together with the Jule Collins Smith Museum of Fine Art at Auburn University, present: Quilts as Monuments: Sew Their Names

John Steinbeck called it “The Mother Road.” Songwriter Bobby Troup said it was where to go to get your kicks. Mickey Mantle swore, “If it hadn’t been for Highway 66 I never would have been a Yankee.” The Kitchen Sisters spent the summer of 1984 traveling every inch of this storied highway — “The Main Street of America” — as it was closing, recording just about everything that moved between Chicago and LA and made a series of epic radio documentaries to commemorate the legendary road and what it meant to the nation. If I remember right we paid about $1.20 a gallon as we motored east to west. In the summer of 1985 the road was officially removed from the United States Highway system and NPR’s All Things Considered aired our series of stories about the life and history of Route 66 filled with interviews with dozens and dozens of Americans whose lives intersected with The Mother Road, along with field recordings, archival audio, music and sound. As Route 66 turns 100 we dipped into our archive to share these poignant and lively time capsules for your next road trip and your summer listening pleasure. Our narrator is actor David Selby.

Today we’re celebrating Faith Spotted Eagle, an Ihanktonwan Oyate elder who has just received an honorary doctorate from South Dakota State University. We first met Faith in 2009 when we were working on our NPR Hidden World of Girls series — stories about rituals and rites of passage, of women who crossed a line, broke a trail, forged a path. That certainly describes Faith.  When we opened up a phone line for the series and asked people to tell us their stories, Faith’s daughter Brook Spotted Eagle called in and left this message.  Hi. My name is Brook Spotted Eagle. I belong to a women’s society on my reservation in South Dakota. The Brave Heart Women’s Society. My mother is one of the founding grandmother’s who has brought it back to life. Over the last 100 years we’ve lost a lot of our ceremonies. I’ll have to check with the elders, but when I saw the Hidden World of Girls I thought it would be amazing to share with other Native women the Isnati coming of age ceremony for our girls.

The Shakers. An offshoot sect of The Quakers, born in England in 1747. In worship they were known to break into states of ecstatic trembling. Trembling Quakers. Shaking Quakers. The Shakers. They came to America in 1774 with a utopian vision, egalitarian ideals, a belief in the equality of the sexes, a philosophy of communal, celibate, simple living. Known for their purposeful communities, their pacifism and legendary craftsmanship. At their peak in the mid-nineteenth century there were some 6,000 Shakers worldwide. As of 2024 there were but two Shakers left in America, so it made headlines in 2025 when Sister April Baxter entered the fold.  Four-time Academy Award winner Frances McDormand and artist Suzanne Bocanegra were inspired by the communal Shaker philosophy and aesthetic and were invited by The Shaker Museum in Chatham, New York to create a pop-up exhibit curated from the museum’s archive of Shaker furniture, textiles and goods. They called their installation “Cradled.”  Maira Kalman's pop-up exhibition, Shaker Outpost: Design, Commerce and Culture, a curated selection of her favorite pieces from the vast Shaker Museum collection opens on Saturday, May 2 at 4 Depot Square in downtown Chatham, New York, running through Sunday, July 5.  Along with the exhibit Maira and the Museum will open a General Store drawing on the historic tradition of Shakers’ public-facing stores where Shaker communities shared their goods for purchase with “the world.” Handmade crafts, food in the Shaker style, potholders, honey, ginger snaps, Swedish fish, sardines, marmalade made by TART, notebooks, textiles and items made by local artisans will all be on sale. Come Life, Shaker Life was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Brandi Howell, Nathan Dalton and Hannah Kaye. Mixed by Jim McKee. 

Pioneering radio artist Larry Massett, a producer's producer, who led listeners into unexpected worlds and influenced so many in public radio and beyond, died last year at the age of 80.  The Kitchen Sisters were fortunate to work with Larry on our NPR series Lost & Found Sound and Soundprint. He was a friend and colleague.  We learned of Larry's passing last spring on Transom.org, the premiere site for producers to come together, share their work, and access the latest tools and advice.  It was there that we found a “Requiem for Larry Massett” created by Barrett Golding of Hearing Voices. We asked Barrett if he’d help produce an audio piece and bring it to air. He said yes. Transom said yes. And all of the producers who offered their memories said yes. And so, yes! The Kitchen Sisters Present: “A Requiem for Larry Massett” — produced in collaboration with Barrett Golding and Transom.org.   Featuring excerpts from some of Larry Massett's iconic radio works including: Listen Up: Piano Down the Stairs, A Trip to the Dentist, Helium Filled Astronaut, Death in Venice, The Road, Solidad, Apache Elder and more.  With remembrances from Larry's friends and colleagues: Jay Allison, Art Silverman, Bob Boilen, Rob Rosenthal, Joe Frank, Jesse Boggs, Katie Davis, Erica Heilman, Susan Stamberg, Keith Talbot, Robin Wise, Scott Carrier. Special thanks to Transom, Hearing Voices, NPR, Soundprint, Jake Fleming, The Shed Studio. And thanks to: Corporation for Public Broadcasting, National Endowment for the Arts, National Endowment for the Humanities.  The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We’re part of Radiotopia from PRX, a curated network of podcasts created by independent producers. Visit kitchensisters.org for more stories and news from The Kitchen Sisters.

Stucco arches, red tile floors, exposed beams — the look and feel of the houses in the oceanfront towns of Santa Barbara and Montecito can be attributed to a woman architect known by one name: Lutah.  The Ohio-born and California-bred architect Lutah Maria Riggs was on track to be a teacher, one of few professions to welcome women in the early 20th century, when she won a scholarship to Berkeley by selling newspapers. Like architect Julia Morgan before her, she gained entry to the university's Beaux Arts influenced architecture program – one of only four women in her class. Also like Morgan, she was talented enough to capture the interest and mentorship of the head of the program, John Galen Howard, and a series of other older male architects who helped her launch her career and chaperoned her travel to Mexico, Spain, and other countries whose architecture was highly influential in California in the 1920s.  Riggs's most famous public project, the Lobero Theater in downtown Santa Barbara, was directly influenced by a serendipitous stop in Spain. Traveling on her own, Riggs took advantage of the network of women's hotels and clubs available in those days. She was always up for a dance, and was even friends with Martha Graham when the modern dance pioneer spent time in Santa Barbara.  Her work has helped define the indoor-outdoor, casual, one-story style that is most identified with southern California today. That has made her houses highly prized for their luxurious materials, swoon-worthy views, and easy living. Unlike many architects who focused on public commissions, many of her houses are still extant, and the real estate agents know what they've got. Zoe Saldana lives in a Lutah today, and architecture enthusiast Ellen DeGeneres has in the past. Riggs – who lived until the 1980s – continues to be one of Santa Barbara's most celebrated architects.   Produced by Brandi Howell for the New Angle Voice Podcast presented by the Beverly Willis Architecture Foundation. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell.The Kitchen Sisters Present is part of PRX's Radiotopia podcast network.

On Sunday the first Oscar for Achievement in Casting will be given in the 98-year history of the Academy Awards. Today, The Kitchen Sisters and host Frances McDormand bring you the story of two legendary casting directors: Juliet Taylor and Ellen Lewis. Listen to Part 1 of this saga: Everyone’s a Casting Director: The First-Ever Academy Award for Casting in the 98-Year History of the Academy Awards “Casting is the first thing that is done on a movie. Everybody's sort of in a great mood, nothing's gone wrong yet, and everybody's feeling very positive. And it's the first time the director's heard the words read and it can really influence the way the movie goes.” —Juliet Taylor During her career, Juliet cast 103 films including Annie Hall, Taxi Driver, Manhattan, Terms of Endearment, Big, Schindler's List, Midnight Cowboy, Network and so many more.  “It's an old-fashioned trade. You are learning from the person that you are working for. That's like your graduate school.” —Ellen Lewis Ellen has cast some dozen films for Martin Scorsese including Goodfellas, Casino, Gangs of New York, The Age of Innocence, Cape Fear, Kundun, The Wolf of Wall Street, The Irishman, The Departed, Killers of the Flower Moon. Also Forrest Gump, The Devil Wears Prada, A League of Their Own, lots of Jim Jarmusch movies, and the television series The Queen's Gambit, Godless, Boardwalk Empire and so much more. “More than 90% of directing a picture is the right casting.” —Martin Scorsese Have a Seat, The Casting Director Will See You Shortly: The Legends of Juliet Taylor & Ellen Lewis was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.

Who discovered Diane Keaton and put her in Annie Hall? Who found Dustin Hoffman and made sure he played Ratso Rizzo in Midnight Cowboy? Who saw Jason Schwartzman and made sure Wes Anderson knew about him for Rushmore? Casting Directors, that’s who.  When the 98th Oscar ceremony airs on March 15, the first Academy Award for Achievement in Casting will be given in nearly 100 years of Academy history. Five films, laden with stars and fascinating new discoveries, are nominated — Hamnet, Marty Supreme, One Battle After Another, The Secret Agent and Sinners.  The Kitchen Sisters and four-time Academy Award winner Frances McDormand take us behind the scenes and into the lives and work of this first-ever batch of nominees and into the mysterious and fascinating world of film casting.  Everyone's a Casting Director was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton and Brandi Howell. Mixed by Jim McKee. Hosted by Frances McDormand.

Louis Jones is a keeper— working as a Field Archivist at the Reuther Library at Wayne State University in Detroit, he cares for the largest labor archive in North America. Home to numerous union and labor collections from around the country, the Reuther Library also actively collects material documenting Detroit’s civil rights movement, women’s struggles in the workplace, the LGBTQ Archive of Detroit and more. Born in New York City, the grandson of a Pullman porter, Jones takes us through the archives with stories of the United Auto Workers, Cesar Chavez, Utah Phillips, A. Philip Randolph, the Civil Rights Movement, the 1967 Detroit uprising, and how archivists are examining and re-imagining their roles in the midst of Covid-19 and the Black Lives Matter movement. Special thanks to the Reuther Library at Wayne State University, Detroit, Michigan; Nancy Beaumont and the Society of American Archivists (SAA); Paulina Hartono; The National Endowment for the Humanities; and supporters of The Kitchen Sisters Productions. Produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell.  The Kitchen Sisters Present is part of Radiotopia from PRX.

On December 21, 2025, activist and trailblazer Betty Reid Soskin passed away in Richmond, California. She was 104. Over the years we've chronicled Betty's remarkable story and want to share it today in honor of Betty and Black History Month. In 2011, at age 89, Betty became America's oldest national park service ranger, a position she held until she retired at 100. Her bold and forthright tours and talks at the Rosie the Riveter WWII Home Front Museum were legendary. As a Black woman who worked in the segregated war effort, she spoke from her personal experience revealing a fuller, richer understanding of the World War II years experienced by women and people of color on the home front. Betty's Creole/Cajun family was from New Orleans and her great grandmother had been born into slavery in 1846. Displaced by the Great Mississippi Flood of 1927, Betty moved with her family to Oakland, where she grew up in the late 20s and 30s. During WWII she worked as a file clerk for Boilermakers Union A-36, a Jim Crow all Black union auxiliary, where she witnessed firsthand the discrimination faced by Black workers in the wartime industry. Betty raised four children in the highly segregated Diablo Valley area where the family was subject to death threats. She and her first husband, Mel Reid, owned one of the first Black record shops west of the Mississippi located in Berkeley. She also worked as a Field Representative for California State Assembly women Dion Aroner and Lonnie Hancock. In 2016, at age 94, Betty survived a violent home invasion and returned to work at the Rosie the Riveter Museum just weeks later. A singer, songwriter, poet and musician, Betty chronicled her life and work in a memoir, "Sign My Name to Freedom," which inspired both a stage play and a documentary film. Betty received numerous awards and honors throughout her life, including a presidential coin from Barack Obama in 2015 after she lit the national Christmas tree at the White House. Special thanks to: The San Francisco Public Library and Shawna Sherman of the African American Center of the San Francisco Main Library; This is Love Podcast and creators Phoebe Judge and Lauren Spohrer; and A Lifetime of Being Betty, a Little Village Foundation recording release produced by Mike Kappus. Thanks also to Betty’s son, musician and songwriter Bob Reid  http://www.bobreidmusic.com/ The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We are part of the Radiotopia network from PRX.

The Gilded Age was a time of unparalleled wealth and prosperity in America—but it was also a time of staggering inequality, corruption, and unchecked power. Among its richest figures was Andrew Carnegie, the steel magnate who built his fortune on the backs of low-paid workers, only to give it away—earning him the nickname the Godfather of American Philanthropy. He didn’t just fund libraries and universities, he championed a philosophy: that it was the duty of the ultra-wealthy to serve the public good. But, as it turns out, even philanthropy is a form of power. So, what exactly have wealthy philanthropists done with their power? We explore that question at the Cooper Hewitt, Smithsonian Design Museum, inside Carnegie’s former mansion. There, a board game called Philanthropy invites players to reimagine the connection between money and power—not by amassing wealth, but by giving it away. Produced by The Smithsonian's Podcast — Sidedoor.  With host and Senior Producer Lizzie Peabody. Featuring:  Christina de León, Associate Curator of Latino Design at the Cooper Hewitt, Smithsonian Design Museum Tommy Mishima, artist and co-creator (with Liam Lee) of the installation Game Room in Cooper Hewitt's triennial Making Home David Nasaw, author of the biography Andrew Carnegie The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Part of the Radiotopia network from PRX.  

They don't make 'em like Marion Cunningham these days. Food writer, home cook, Fannie Farmer's new incarnation, James Beard’s sidekick, wizard of waffles. Marion was a treasured friend of The Kitchen Sisters, and in 2003, we sat down with her and recorded a long conversation. We've been digging through our archive of late looking for people and stories that inspire, that illuminate, that cut a new path and nourish the soul. Marion's story ticks all those boxes and more. Marion died in 2012. She left such a big hole in the firmament when she passed, but she left so much love, wisdom, guidance, and her amazing recipe for waffles behind. You can find that recipe on our website, kitchensisters.org. This story is part of The Kitchen Sisters Grand Dames of Cooking stories —  kitchen visionaries who worked to preserve, develop and pass on traditional foodways and cultural history through the art of cooking.

Host Frances McDormand leads us through this rich international story collection of land, community and food. From the organic olive groves and vineyards being grown on confiscated Mafia land in Sicily, to secret night clubs embedded in Soviet dissident kitchens. From tales of "cooking dogs" in Medieval England, to the little-known tale of agricultural explorers — the "Indiana Joneses of the plant world" — who introduced exotic dates from the Middle East to the Coachella Valley. We also go underground into the world of wine, war, and counterfeiting. Plus, actor Gael Garcia Bernal takes us to his grandmother's Sinaloa kitchen in Mexico, Salman Rushdie takes us to Chocolate Town, Werner Herzog eats his shoe, and poet Lawrence Ferlinghetti gives us his recipe for happiness. Hidden Kitchens World was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton and Brandi Howell, along with listeners around the world. Mixed by Jim McKee.