Orion Books

Death of the Author - Clip 2 by OrionBooks

Death of the Author - Clip 1 by OrionBooks

Death of the Author - Clip 3 by OrionBooks

States of Play - Clip 2 by OrionBooks

States of Play - Clip 1 by OrionBooks

Stay tuned for an exclusive clip from DAUGHTER OF REDWINTER, the new novel from Ed McDonald https://www.audible.co.uk/pd/Daughter-of-Redwinter-Audiobook/B09S6VT84C

Stay tuned for an exclusive clip from DAUGHTER OF REDWINTER, the new novel from Ed McDonald www.audible.co.uk/pd/Daughter-of-Redwinter-Audiobook/B09S6VT84C

Stay tuned for an exclusive clip from DAUGHTER OF REDWINTER, the new novel from Ed McDonald https://www.audible.co.uk/pd/Daughter-of-Redwinter-Audiobook/B09S6VT84C

When Thomas Harding discovered that his mother's family had made money from plantations worked by enslaved people, what began as an interrogation into the choices of his ancestors soon became a quest to learn more about Britain's role in slavery. It was a history that he knew surprisingly little about - the myth that we are often taught in schools is that Britain's role in slavery was as the abolisher, but the reality is much more sinister. In WHITE DEBT, Harding vividly brings to life the story of the uprising by enslaved people that took place in the British colony of Demerara (now Guyana) in the Caribbean in 1823. It started on a small sugar plantation called 'Success' and grew to become a key trigger in the abolition of slavery across the empire. We see the uprising through the eyes of four people: the enslaved man Jack Gladstone, the missionary John Smith, the colonist John Cheveley, and the politician and slaveholder John Gladstone, father of a future prime minister. Charting the lead-up to the uprising right through to the courtroom drama that came about as a consequence, through this one event we see the true impact of years of unimaginable cruelty and incredible courage writ large. Captivating, moving and meditative, WHITE DEBT combines a searing personal quest with a deep investigation of a shared history that is little discussed amongst White people. It offers a powerful rebuttal of the national amnesia that masks the role of the British in this devastating period, and asks vital questions about the legacy we have been left with - cultural, political and moral - and whether future generations of those who benefited from slavery need to acknowledge and take responsibility for the White Debt.

When Thomas Harding discovered that his mother's family had made money from plantations worked by enslaved people, what began as an interrogation into the choices of his ancestors soon became a quest to learn more about Britain's role in slavery. It was a history that he knew surprisingly little about - the myth that we are often taught in schools is that Britain's role in slavery was as the abolisher, but the reality is much more sinister. In WHITE DEBT, Harding vividly brings to life the story of the uprising by enslaved people that took place in the British colony of Demerara (now Guyana) in the Caribbean in 1823. It started on a small sugar plantation called 'Success' and grew to become a key trigger in the abolition of slavery across the empire. We see the uprising through the eyes of four people: the enslaved man Jack Gladstone, the missionary John Smith, the colonist John Cheveley, and the politician and slaveholder John Gladstone, father of a future prime minister. Charting the lead-up to the uprising right through to the courtroom drama that came about as a consequence, through this one event we see the true impact of years of unimaginable cruelty and incredible courage writ large. Captivating, moving and meditative, WHITE DEBT combines a searing personal quest with a deep investigation of a shared history that is little discussed amongst White people. It offers a powerful rebuttal of the national amnesia that masks the role of the British in this devastating period, and asks vital questions about the legacy we have been left with - cultural, political and moral - and whether future generations of those who benefited from slavery need to acknowledge and take responsibility for the White Debt.

THIS IS A TRUE STORY. An author goes on a book tour for his new bestseller Hell of a Book - which, as people keep telling him, is one hell of a book. THIS IS A COMING-OF-AGE STORY. One morning, he meets The Kid - a young Black boy who looks just like the one on the news who was shot by the police. And The Kid wants him to tell his story. THIS IS A SAD STORY. It's the story of a boy who spent most of his life trying to hide, and to not be seen. And it may not be that different from the story of our author. THIS IS A LOVE STORY. But to find out why, you'll have to read it for yourself. THIS IS A STORY UNLIKE ANYTHING YOU'VE EVER READ. THIS IS A HELL OF A BOOK.

For the first time in ten years, Freya is back in the little village of Middlemass for Christmas. The streets might be twinkling with fairy lights, but after the recent loss of her mother, she's never felt less festive. Forced to sleep under the same roof as her handsome neighbour Finn, Freya realises she's going to need a distraction - fast! So she sets herself a challenge: to cook the '12 Days of Christmas'. Her delicious food soon brings the villagers together, and as each day passes, old friendships are renewed, memories stirred and there's even the flickering of romance... She was only meant to stay for the holidays, but could Middlemass - and Finn - steal her heart forever?

Why is Italy called Italy? How old is curry? Which people from history would best pull off a casino heist? Who was the richest person of all time? When was the first Monday? What were history's weirdest medical procedures that actually worked? How much horse manure was splattered on the streets of Tudor London? How fast was the medieval Chinese postal system? What did the Flintstones get right about the Stone Age? Who gets to name historical eras, and what will ours be called in 100 years' time? How do we know how people sounded in the past? How old is sign language? In Ask a Historian the author, BBC podcaster, and public historian Greg Jenner provides answers to things you always wondered about, but didn't know who to ask. Responding to 50 genuine questions from the public, Greg whisks you off on an entertaining tour through the ages, revealing the best and most surprising stories, facts, and historical characters from the past. Bouncing through a wide range of subjects - from ancient jokebooks, African empires, and bizarre tales of medicinal cannibalism, to the invention of meringues, mirrors, and menstrual pads - Ask A Historian spans the Stone Age to the Swinging Sixties, and offers up a deliciously amusing and informative smorgasbord of historical curiosities, devoured one morsel at a time.

All my life, I have been torn between two legacies: that of my father, whose roots trace back to the right hand of the Emperor. That of my mother's family, who reject the oppressive Empire and embrace the resistance. I can choose between them - between protecting my family, or protecting my people - or I can search out a better path . . . a magical path, filled with secrets, unbound by empire or resistance, which could shake my world to its very foundation. But my search for freedom will entangle me in a war between the gods themselves . . . The first book in the Pact and Pattern series. Fans of Robin Hobb, Brandon Sanderson's Mistborn and R.F. Kuang's The Poppy War will love the magic running through every page.

Trapeze audiobooks presents an extraordinary multi-voice tribute to one of Britain's most talented and most loved entertainers: Victoria Wood. This audiobook features narration from some of the extraordinary voices who worked with Victoria over her career: Susie Blake Richenda Carey Celia Imrie Duncan Preston Anne Reid Daniel Rigby Kate Robbins David Threlfall Julie Walters Jane Wymark With an introduction read by Jasper Rees and two recordings of Victoria Wood's classic Ballad of Barry and Freda. 'I was born with a warped sense of humour and when I was carried home from being born it was Coronation Day and so I was called Victoria but you are not supposed to know who wrote this anyway it is about time I unleashed my pent-up emotions in a bitter comment on the state of our society but it's not quite me so I think I shall write a heart-warming story with laughter behind the tears and tears behind the laughter which means hysterics to you Philistines...' From 'Pardon?' by Vicky Wood, Aged 14. Bury Grammar School (Girls) Magazine, 1967 In her passport Victoria Wood listed her occupation as 'entertainer' - and in stand-up and sketches, songs and sitcom, musicals and dramas, she became the greatest entertainer of the age. Those things that might have held her back - her lonely childhood, her crippling shyness and above all the disadvantage of being a woman in a male-run industry - she turned to her advantage to make extraordinary comedy about ordinary people living ordinary lives in ordinary bodies. She wasn't fond of the term, but Victoria Wood truly was a national treasure - and her loss is still keenly felt. Victoria had plenty of stories still to tell when she died in 2016, and one of those was her own autobiography. 'I will do it one day,' she told the author and journalist Jasper Rees. 'It would be about my childhood, about my first few years in showbusiness, which were really interesting and would make a really nice story.' That sadly never came to pass, so Victoria's estate has asked Jasper Rees, who interviewed her more than anyone else, to tell her extraordinary story in full. He has been granted complete and exclusive access to Victoria's rich archive of personal and professional material, and has conducted over 200 interviews with her family, friends and colleagues - among them Victoria's children, her sisters, her ex-husband Geoffrey Durham, Julie Walters, Celia Imrie, Dawn French, Anne Reid, Imelda Staunton and many more. What emerges is a portrait of a true pioneer who spoke to her audience like no one before or since.

It is summer on Magnolia Road when Juliet moves into her late mother's house with her husband Liam and their young son, Charlie. Preoccupied by guilt, grief and the juggle of working motherhood, she can't imagine finding time to get to know the neighbouring families, let alone fitting in with them. But for Liam, a writer, the morning coffees and after-school gatherings soon reveal the secret struggles, fears and rivalries playing out behind closed doors - all of which are going straight into his new novel . . . Juliet tries to bury her unease and leave Liam to forge these new friendships. But when the rupture of a marriage sends ripples through the group, painful home truths are brought to light. And then, one sun-drenched afternoon at a party, a single moment changes everything. The fiction debut from Sunday Times bestselling author Cathy Rentzenbrink, Everyone Is Still Alive is funny and moving, intimate and wise; a novel that explores the deeper realities of marriage and parenthood and the way life thwarts our expectations at every turn.

Click here to buy: https://adbl.co/3a79C6Z\n\nMizuki is a Japanese housewife. She has a hardworking husband, two adorable children and a beautiful Tokyo apartment. It\'s everything a woman could want, yet sometimes she wonders whether it would be more fun to throw herself off the high-rise balcony than spend another evening not talking to her husband or hanging up laundry.\n\nThen, one rainy night, she meets Kiyoshi, a successful restaurateur. In him, she rediscovers freedom, friendship, a voice, and the neon, electric pulse of the city she has always loved. But the further she falls into their relationship, the clearer it becomes that she is living two lives - and in the end, we can choose only one.\n\nAlluring, compelling, startlingly honest and darkly funny, Fault Lines is a bittersweet love story and a daring exploration of modern relationships from a writer to watch.

Click here to buy: https://adbl.co/3fvCBVo\n\nHow does it feel when your heritage isn\'t listed as an option on an identification form?\nWhat is it like to grow up as the only person in your family who looks like you?\nWhere do you belong if you are simultaneously seen as being \'too much\' of one race and \'not enough\' of another to fit neatly into society\'s expectations? \n\nThe mixed population is the fastest-growing group in the U.K. today, but the mainstream conversation around mixedness is stilted, repetitive and often problematic. At a time when ethnically ambiguous models fill our Instagram feeds and our high street shop windows, and when children of interracial relationships are lauded as heralding in the dawn of a post-racial utopia, journalist Natalie Morris takes a deep dive into what it really means to be mixed in Britain today. \n\nFrom blackfishing to the fetishisation of mixed babies; from the complexities of passing and code-switching to navigating the world of work and dating, Natalie explores the ways in which all of these issues uniquely impact those of mixed heritage. Drawing from a wealth of research, interviews and her own personal experiences, in Mixed/Other, Natalie\'s aims to dismantle the stereotypes that have plagued mixed people for generations and to amplify the voices of mixed Britons today, shining a light on the struggles and the joys that come with being mixed.

Click here to buy: https://adbl.co/303aQuq Severian the Torturer continues his epic journey across the lands of Urth, carrying with him the Claw of the Conciliator and the great sword, Terminus Est. All his travels are leading towards a destiny that he dare not refuse . . . Winner of the John W. Campbell Award for best novel, 1984

Click here to buy: https://adbl.co/3828gJK A wonderful portrait of British upper-class life in the Season of 1939 - the last before the Second World War. The Season of 1939 brought all those 'in Society' to London. The young debutante daughters of the upper classes were presented to the King and Queen to mark their acceptance into the new adult world of their parents. They sparkled their way through a succession of balls and parties and sporting events. The Season brought together influential people not only from Society but also from Government at the various events of the social calendar. Prime Minister Neville Chamberlain chaperoned his debutante niece to weekend house parties; Lord Halifax, the Foreign Secretary, lunched with the Headmaster of Eton; Cabinet Ministers encountered foreign Ambassadors at balls in the houses of the great hostesses. As the hot summer drew on, the newspapers filled with ever more ominous reports of the relentless progress towards war. There was nothing to do but wait - and dance. The last season of peace was nearly over.