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Podcast
Pop Poetry Podcast
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We invite people onto our show and read their favorite poem with them, line by line.
We invite people onto our show and read their favorite poem with them, line by line.
Moby Dick Chapter 1 / Sigur Rós Ágætis byrjun
Episode in
Pop Poetry Podcast
Chapter One of Moby Dick
18:28
Jay Hennicke "First Fig" by Edna St. Vincent Millay
Episode in
Pop Poetry Podcast
Jay Hennicke reads "First Fig" by Edna St. Vincent Millay
First Fig
by Edna St. Vincent Millay
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends—
It gives a lovely light!
17:54
John Muller "The Song of Wandering Aengus" by William Butler Yeats
Episode in
Pop Poetry Podcast
John Muller reads "The Song of Wandering Aengus" by William Butler Yeats
The Song of Wandering Aengus
by William Butler Yeats
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun.
42:48
Ken Baumann "Rhotic Asphyxiation" by Sonya Vatomsky
Episode in
Pop Poetry Podcast
Ken Baumann reads "Rhotic Asphyxiation" by Sonya Vatomsky.
Buy Sonya's full length debut, "Salt is for Curing" here: http://sator.press/
Rhotic Asphyxiation
by Sonya Vatomsky
The safest place to bury a body
is in another body,
is in your own body. Is your own dead body
inside the one you present to the world, the one that still talks
and walks
across Pangea because that is how old it is,
that is how old faking is. You were born fake as your body
came out another fake body; you drank amniotic fluid shots
in the belly of the body your mother swallowed when the
world told her so
and you breathed true body breath then
and only then. A Russian girl can’t write a book without
nesting dolls;
burying ourselves in ourselves is in our blood, is in our
mother’s blood.
We birth, we bury, we swallow tongues down the body
buried inside the body. Tongue is a delicacy
you can serve at a funeral. The safest place to bury a body is at a funeral.
42:09
Aley Weld "The Universe" by May Swenson
Episode in
Pop Poetry Podcast
Aley Weld reads "The Universe" by May Swenson
heres a version of the poem:
http://www.wittyprofiles.com/q/6551954
33:22
Andrew Sinnes "13 Ways of Looking at a Blackbird" by Wallace Stevens
Episode in
Pop Poetry Podcast
Andrew Sinnes reads "13 Ways of Looking at a Blackbird" by Wallace Stevens
Thirteen Ways of Looking at a Blackbird
BY WALLACE STEVENS
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
51:08
Kathryn Ugoretz "Poem 670" by Emily Dickinson
Episode in
Pop Poetry Podcast
Kathryn Ugoretz reads "Poem 670" by Emily Dickinson
Emily Dickinson 670
One need not be a Chamber -- to be Haunted--
One need not be a House --
The Brain has Corridors -- surpassing
Material Place
Far safer, of a Midnight Meeting
External Ghost
Than its interior Confronting --
That Cooler Host
For safer, through an Abbey Gallop,
The Stones a'chase --
Than Unarmed, one's a'self encounter --
In lonesome Place --
Ourself behind ourself, concealed --
Should startle most --
Assassin hid in our Apartment
Be Horror's least.
The Body -- borrows a Revolver --
He bolts the Door --
O'erlooking a superior spectre --
Or More
45:05
Jane Vick "Voices to Voices" by EE Cummings
Episode in
Pop Poetry Podcast
voices to voices, lip to lip
i swear (to noone everyone) constitutes
undying; or whatever this and that petal confutes . . .
to exist being a peculiar form of sleep
what's beyond logic happens beneath will;
nor can these moments be translated: i say
that even after April
by God there is no excuse for May
- bring forth your flowers and machinery: sculpture and prose
flowers guess and miss
machinery is the more accurate, yes
it delivers the goods, Heaven knows
(yet are we mindful, though not as yet awake,
of ourselves which shout and cling, being
for a little while and which easily break
in spite of the best overseeing)
i mean that the blond absence of any program
except last and always and first to live
makes unimportant what i and you believe;
not for philosophy does this rose give a damn . . .
bring on your fireworks, which are a mixed
splendor of piston and pistil; very well
provided an instant may be fixed
so that it will not rub, like any other pastel.
(While you and i have lips and voices which
are for kissing and to sing with
who cares if some oneeyed son of a bitch
invents an instrument to measure Spring with?
each dream nascitur, is not made . . .)
why then to Hell with that: the other; this,
since the thing perhaps is
to eat flowers and not to be afraid.
48:15
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