The Fisch Bowl

In the more shadowy depths of the Fisch Bowl, we talk with English guitarist Jon Klein, known for his work in the later years of the Post Punk band Siouxsie and the Banshees! We discuss many of our favorite bands and artists including the Sex Pistols, Alice Cooper, and Jimi Hendrix, as well as genres we grew up listening to like Glam Rock, Psychedelic, Heavy Metal, and Punk. Also in part one of this jam packed interview, we go into many other rabbit holes surrounding bootlegs, music in film, and whether or not artists should make their beliefs known, it's a conversation your ears don't want to miss! Send us Fin-mail! Support the show

In part two of the Fisch Bowl's interview with screenwriter Eric Miller, we discuss the actors, films, and performances that not only succeeded in making filmmaking fun, but also brought the art of traditional filmmaking to life. Our casual conversation is far from over, so swim upstream and check out more of Miller's thoughts! Send us Fin-mail! Support the show

The Fisch Bowl's casual conversation with screenwriter Eric Miller goes swimmingly as we discuss his known work including Swamp Shark and Ice Spiders, the psychology of how writers are able to create their stories, archival footage in film, and favorite films, TV shows, and works from other writers. Dive in and listen to what Miller had to say! Send us Fin-mail! Support the show

Today's episode of the Fisch Bowl is with creature actor Kevin Keppy, dive in to the deep end of our conversation as we discuss what got him interested in acting, what he learned in his career, his roles in Smile, Evil, and Cabinet of Curiosities,  and of course it wouldn't be an episode of the Fisch Bowl without discussing favorite movies and TV shows! Send us Fin-mail! Support the show

Actor Spencer Breslin dips his toes into the Fisch Bowl, talking about movies, music, relationships with other costars, and roles he played that continue to be a part of many childhoods including The Cat in the Hat, Zoom, Disney's The Kid, and more! Send us Fin-mail! Support the show

Send us Fan Mail Actor Doug Jones, and his manager, Derek Maki, dive into today's episode of The Fisch Bowl. Known for his work playing non-human and creature roles in movies and shows including Hellboy, Pan's Labyrinth, and Star Trek: Discovery, Jones now has his own documentary in the works called Get Me Doug Jones, telling his story as an actor and sharing his experiences that built his career. Swim into the bowl now to hear what Jones and Maki had to say! Support the show

Send us Fan Mail After resurfacing and coming back for air from Part 1, dive back into Part 2 of our conversation with stand up comedian Phillip Abraham, also known as The Rising Social Media Sensation! On today's episode, we discuss more about his comedy show, Late Night with Phil, and making way through the entertainment world through humor, interviews with guests, and the news. And of course, it wouldn't be an episode of the Fisch Bowl without talking more about movies and TV shows! Support the show

Send us Fan Mail Dive into Part 1 of our conversation with stand up comedian Phillip Abraham, also known as The Rising Social Media Sensation, where we talk about our favorite movies, more recent and upcoming movies, actors, and humor. Support the show

Send us Fan Mail The Fisch Bowl's next interview is with athlete and actor Deron McBee, known for many roles including Malibu from American Gladiators, Motaro from Mortal Kombat Annihilation, and even makes an appearance as a thug in Batman Forever and Batman and Robin! Dive back into the bowl and listen to our conversation with McBee as we discuss his experiences, career, and of course our favorite movies and TV shows along the way! Support the show

Send us Fan Mail The Fisch Bowl Podcast had the pleasure of attending Pittsburgh's 2026 Horror Realm Convention, and interview many actors and filmmakers behind the scenes of your favorite horror and sci-fi films! The fourth and final part is with actors Clint Howard, known for his roles in Ice Cream Man and The Wraith, William Katt, known from House and Carrie, and Jeffrey Kramer, best known as Deputy Hendricks from Jaws. Support the show

Send us Fan Mail The Fisch Bowl Podcast had the pleasure of attending Pittsburgh's 2026 Horror Realm Convention, and interview many actors and filmmakers behind the scenes of your favorite horror and sci-fi films! Today's episode is with actress Christine Elise, known from Child's Play 2 and Bodysnatchers, and Eduardo Sanchez, co-director and writer of The Blair Witch Project. Support the show

Send us Fan Mail The Fisch Bowl Podcast had the pleasure of attending Pittsburgh's 2026 Horror Realm Convention, and interview many actors and filmmakers behind the scenes of your favorite horror and sci-fi films! Today's episode is with actor Andrew Divoff from Wishmaster and Another 48 Hours, and actress Caroline Williams known from The Texas Chainsaw Massacre Part 2 and Leprechaun 3. Support the show

Send us Fan Mail Dive into this episode of the Fisch Bowl with Robert Kurtzman and Marcy King, where we discuss their upcoming film, Marshmallow, as well as their use of practical effects, movie adaptations, and experiences on the sets of other projects. Support the show

Send us Fan Mail On his third interview with the Fisch Bowl, actor Patrick Kilpatrick talks about his experiences in the acting world in films like Last Man Standing, working alongside household names like Christopher Walken and Bruce Willis, and his upcoming film currently in the production stage, Dying For Living. Support the show

Send a text Ever hear a lyric that flips on the light in a dark room? Jack Horner of the UK psychedelic duo The Dirt joins us to unpack Monkey Punch, a live-wire album tracked in just two days that insists albums should feel like stories, not shuffled singles. We dive into the line that’s still ringing in our heads—“Protons neutrons controlled by morons”—and use it as a compass for a bigger conversation about unity over division, resisting performative outrage, and building spaces where disagreement can breathe without turning toxic. Jack pulls back the curtain on process: recording live without a drummer, trusting first takes, and partnering with producer Jason Shaw to preserve grit, air, and momentum. We talk about why some songs need six and a half minutes, why vinyl’s 42-minute canvas still shapes better narratives, and how algorithmic skimming flattens meaning. If you’ve ever missed the feeling of flipping a record, this one’s for you. Culture threads through every riff. We map the parallels between long-form music and slow cinema—think Blade Runner and the rare sequel that dared to stretch time—arguing that patience isn’t a luxury, it’s a creative weapon. From social media’s shrinking attention spans to the resilience of underground scenes in the UK, US, and Japan, we make the case for art that outlasts the scroll. Monkey Punch is protest you can hum, a reminder that chaos can clarify when it’s channeled with care. Hit play to hear how a minimalist setup carries maximal intent, why the underground still matters, and how storytelling structure can turn an album into a world. If this conversation moves you, follow the show, share it with a friend who loves long songs, and leave a quick review—your words help keep the signal strong. Support the show

Send a text Ever hear a sitar slice through a wall of guitars and think, this belongs in a film? We went deep with Helicon’s John Paul Hughes to map how a Glasgow psych band turns orchestral tension into thunderous finales, why beauty lives inside noise, and how structure makes chaos hit harder on stage. From the Beatles’ psychedelic turn to Brian Jones’s restless curiosity, we explore the instruments, scenes, and accidents that shape Helicon’s sound. John shares an exclusive: the band was invited to help recreate and expand music from Brian Jones’s lost 1967 soundtrack, transforming fragmentary cues into fully realized pieces—one razor-bright sitar theme, one wild harmonica burner, and one dirge-like organ work—planned for release on Jones’s birthday. We also talk shop about curfews, timing, and rehearsing the “improvised” parts until they breathe, so finales land before the lights snap on. The conversation spirals through film culture—love for scores, skepticism toward biopics—and a candid take on authenticity, legacy, and why making music for yourself is still the only compass that lasts. Looking ahead, Helicon is building a new chapter with LA producer Al Lover, blending breakbeats, dub textures, and electronica into their sitar-and-guitar surge—a lineage closer to Primal Scream’s XTRMNTR than purist psych. Along the way we shout out key influences and peers, from Spacemen 3, Mogwai, and the Jesus and Mary Chain to modern torchbearers keeping the drone, dream, and feedback alive. If cinematic psych, lost soundtracks, and the craft behind explosive live sets light you up, press play. Then tap follow, share it with a friend who loves bold guitar music, and leave a review telling us which psych record you’d want scored for the screen. Support the show

Send a text Step into a smoky Glasgow rehearsal room and meet John Paul Hughes of Helicon, the psychedelic rock band turning influence into something fiercely their own. We go deep on craft, why permanence beats hype, and how to build songs that still feel new decades later. If you’ve ever argued that guitar music is alive and well, this is your proof. We trace the DNA from The Velvet Underground, Pink Floyd, and Led Zeppelin to Ride, My Bloody Valentine, and The Jesus and Mary Chain, then follow the sound into today’s shoegaze, dream pop, doom, and stoner rock. John Paul breaks down what “psychedelic” really means—less pedal worship, more form-breaking and emotion-driven architecture. Along the way, we celebrate a global map of scenes across the UK, Europe, Australia, and even Cambodia, showing how far this music travels and why it keeps finding new ears. The conversation lands squarely on the realities of making art now: streaming platforms that make uploading easy and discovery hard, attention spans stretched thin by short-form feeds, and a film ecosystem locked on IP and remakes. We talk arts funding, practicing until the ideas click, and starting a band later in life with a clear sense of purpose. The core takeaway is simple: make the work for yourself first. Listeners can smell the difference between a song built for a trend and a song built to last. If you care about shoegaze, psychedelic rock, indie craft, and the fight to be heard in a noisy world, you’ll feel at home here. Hit play, share it with a friend who says rock is dead, and leave a review to help more curious listeners find the show. Support the show

Send a text The shine of a big break doesn’t always light the path ahead. We sit down with character actor Robert LaSardo to explore what success really feels like when the cheers fade and the measuring starts—how to wear your colors after a loss, why loyalty outlasts gossip, and what it takes to keep your spirit intact inside a machine that rewards visibility while testing your soul. Robert brings us into the surreal joy of working on The Mule with Clint Eastwood—from a simple self-tape to notes, a greenlight, and then the quiet shock of meeting a legend who leads without ego. He shares how Eastwood “plays jazz” on set, trusts improvisation, and eats with his crew like family. That humility becomes a masterclass in creative leadership: protect the work, respect people, and let honesty breathe. We also touch on a tender moment with Andy Garcia that affirms how old-school respect still matters and how being seen can reset your day. From there, the conversation tackles film literacy, lowered standards, and the seduction of spectacle. Robert contrasts meaningful storytelling with the numbing effect of relentless visual stimulation and weightless violence. He champions writing what you know, building teams around authenticity, and using craft to entertain without dumbing down. We thread Scorsese’s evolving style, Woody Allen’s neurotic wit, and the enduring power of films like The Poseidon Adventure, American Graffiti, and The Exorcist—stories that last because they carry consequence, atmosphere, and soul. Robert closes with American Trash, his new film in post-production: a raw, compassionate portrait of PTSD, apathy, and environmental care set in Los Angeles. It’s a 1960s spirit reimagined for right now, asking us to look at the ground under our feet and the people beside us, then choose community over indifference. If you care about acting, directing, or simply watching better movies, this conversation is a compass—equal parts grit, gratitude, and guidance. Enjoyed the episode? Subscribe, share it with a film‑lover, and leave a quick review to help more curious listeners find the show. Support the show

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Send us a text The best horror stories aren’t just on screen—they’re the ones told in the glow of dead‑of‑night lights, long after the credits. We sit down with cast and crew from Dawn of the Dead to relive the midnight Monroeville shoots, the improvised zombie gigs, and the wild on‑set mishaps that became legend. From a neck‑bite effect gone hilariously wrong to a crew member who asked George Romero for a shot and walked away as the machete zombie, these are unscripted, human moments that turned a cult classic into a lifelong bond. What makes these memories stick is how ordinary they started. One panelist only came because a friend insisted. Another was just an 11‑year‑old who could stay awake while other kid zombies crashed, perfectly embodying Romero’s idea of “residual memory” as he bumped a toy bike down a fluorescent hallway. A teacher brought a Super 8 camera to show students what a set looked like and accidentally created a DVD extra that now anchors the movie’s archive. The mall itself remains a character—still a place some of them shop, still a trigger for recall—with every corridor doubling as a portal back to 3 a.m. We trace the film’s unlikely afterlife through media history: from three broadcast channels and strict censorship to the arrival of pay TV, Betamax, and VHS that kept the undead alive at home. The panelists talk about walking into their first conventions in Strongsville and beyond, astonished to find passionate fans from Nova Scotia, England, Germany, even Hawaii. Autographs, photos, and t‑shirts came later; the connection came first. Decades on, the reunions feel warmer than high school anniversaries because the memories were forged under pressure, creativity, and the practical magic of Tom Savini’s effects. If Dawn of the Dead lives on, it’s because people keep telling these stories—small, funny, honest—and inviting new fans into the crowd. Join us, subscribe for more behind‑the‑scenes lore, and share your first Dawn of the Dead memory in a review or with a friend who loves horror history. Support the show