On this episode, which is the last part of two (that is why the number is 195.) I started reading parts of my guest’s Thesis. The recording of this first part, we jumped immediately talking about her PhD titled: “Such Unfeminine Instruments,” Women Brass Musicians in America Before 1940”.
On this last part, we continued our conversation on how women face business world, the difference or gap created by men when a woman wins a position in a highly regarded orchestra, more about her thesis, and, specially, four key words that are her bread and butter: EDUCATE, DEVELOP, SUPPORT and PROMOTE. Joana Ross Hersey is currently University of North Carolina at Pembroke Dean Associate on the Department of Music. If you want to know more about her Music Department, I bet that she will be happy to help you to determine if UNC is the perfect fit for you, I bet it will. We need more Deans like Joanna Ross Hersey. Her Twitter handler is @JoannaHersey
If you want to read Joanna thesis, here is the link:
https://joannahersey.com/wp-content/uploads/2021/02/Such-Unfeminine-Instruments-Hersey-2006.pdf
You could read more about Joanna amazing music career on her website: https://joannahersey.com/ and congratulate her for been awarded Susan Slaughter Award for Leadership at the 2022 International Women’s Brass Conference.
Songs included in this second part are from Joanna Ross Hersey’s album Zig Zag: Convent Window, One, and O Virgo ac Diadema.
The music included in this episode are protected under US Copyright Act and its ownership/proprietorship belongs to Joana Ross Hersey. Any unauthorized used will be subject to prosecution as per 17 USC §1101 et seq.
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The audios included here are from Joanna Ross Hersey CD Zig Zag: Convert Window, One and, as a surprise, it is O Virgo ac Diadema.
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