Venice-- it's the most serene and beautiful city in Italy, and possibly the whole world. But Venice at night-- all darkened and quiet-- takes up the most space in my imagination. I seriously love the depictions of Venice as enigmatic, shadowy, and even dangerous. Without cars or streetlights or other modern comforts, you might feel like you’ve stepped back in time and that around any given corner, you could find… anything. All of this lends Venice this air of inscrutability and mystery. And over time, locals and visitors alike have reveled in this sensation as fodder for myth-making and storytelling. Some stories really stick, lasting for centuries and becoming embedded into the city itself, through its buildings, monuments, and specific locations. And there’s one building that has had plenty of legends built around it. This particular elegant structure had an illustrious past, having once been a meeting place where Italian Renaissance artists discussed their craft, caroused, and gambled. But it’s also the location where relationships soured, crimes were committed, and death inevitably followed. Today, some people won’t even enter this particular building because it is feared to be haunted, cursed… or both.// Please SUBSCRIBE and REVIEW our show—we can’t thank you enough! Check our website for images from today’s show, as well as information about our other episodes. And come find us on Twitter and Instagram!Want more art-historical goodness? Check out the links below:Glory of Venice exhibition at the North Carolina Museum of ArtRead Vasari's take on Morto da FeltreWikipedia's Entry on Morto da FeltreMysterious Venice: The Casino of the Spirits (In Italian)Italian Mysteries: Haunted Venice The Casino degli Spiriti, as seen from the water, Venice, Italy The Casino degli Spiriti, as seen from the back garden, Venice, Italy Carlo Lasino, after Lorenzo Luzzo, Portrait of Morto da Feltre, color mezzotint, ca. 1789 Morto da Feltre, Virgin and Child, Virgin and Child, Civic Museum of Feltre Giorgione, Self-Portrait, 1510 Giorgione, Madonna and Child between Saint Nicasius and Saint Francis, also known as Castelfranco Madonna, c. 1502, tempera on panel Detail of the Castelfranco Madonna, based on Cecilia
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